"Zona mrvih" ulazi u književnost. Dušan Cicvara je jednu priču iz svoje zbirke Slešer trejler posvetio režiserima Konjeviću & Todoroviću.

Priču prenosim u celini na zahtev jednog od članova foruma...

TRIJUMF ZOMBIJA
Džou Danteu, Milanu Konjeviću i Milanu Todoroviću

Ovo je noć punog meseca. Ove noći mrtvaci ustaju iz grobova da bi glasali na predstojećim parlamentarnim i predsedničkim izborima. Noćas vaskrsavaju borci iz svih prethodnih pravedno vođenih ratova. Mesta u paklu prepuštaju živima. večeras soldati tame krvavih lica i iskeženih vilica strastveno komadaju ljudska bića. Čovečiji mozak poslastica je za zombi gurmane. Ove noći mrtvaci ustaju iz grobova da bi glasali na predstojećim parlamentarnim i predsedničkim izborima. Svete se homo-sapiensima za doasadašnje poraze. Ulice su zatrpane ljudskim telima, što mrtvim, što ponovo probuđenim. Treznim dvonošcima bolje je da su na speedball-u. Ujedi zombija manje bi ih boleli. Automobilai nestaju u plamenu, mediji panično govore o najvećoj planetarnoj kataklizmi sa kojom se čovečanstvo suočava. Ovo je trijumf zombija! Niko ih više neće prevariti, niti poraziti.

Fusnote:::

-Džo Dante reditelj filmova "Bulevar Holivud", "Pirana", "Zavijanje" i "Gremlini" režirao je film "Povratak kući" u kome vaskrsli vojnici iz svih američkih ratova glasaju na predsedničkim izborima. Dva Milana, Konjević i Todorović režirali su prvi srpski dugometražni, akcioni zombi horor "Zona mrtvih".
-Speedball, energetska mešavina heroina ikokaina koja je usmrtila holivudske glumce Džona Belušija, Rivera Feniksa, i Krisa Ferzija.

UK DVD cover za Zonu mrtvih je potpuno ludilo. Srpski DVD kasni. I on će imati novi dizajn.

http://blogs.coventrytelegraph.net/theg ... an-zo.html

IN THE ghoulish tradition of George A. Romero's Dawn of the Dead comes Serbia's first entry in the zombie genre, entitled Apocalypse of the Dead.

Released by Metrodome on DVD in the UK and Ireland on Monday, March 1, it's directed by Milan Konjevic and Milan Todorovic.

The film stars American actor Ken Foree who, notably, was in the 1979 original of Dawn of the Dead. Foree, 61, was also in Rob Zombie's 2007 remake of Halloween while his surname is referenced in the 2004 spoof Shaun of the Dead.

The actor, in his first lead role for three decades, plays Interpol agent Mortimer Reyes who, with rookie colleague Mina Milius (Kristina Klebe), is part of a group transporting a dangerous prisoner (Emilio Roso) to Belgrade. Klebe was also in the Halloween remake.

They encounter rampaging hordes of zombies in a plague of terror which has been created by a toxic leak and spread by the creatures' blood-thirsty bites.

As the group gradually falls prey to the attacks of the undead, Reyes and Milius must join forces with the prisoner to fight for their lives and escape.

It all has a B-movie sensibility. But - despite the obviously moderate budget, a muddled beginning with far too many strands, and some weak acting and dialogue that even a mutant plague cannot reanimate from limp lifelessness - it does deliver moments of genuine dramatic tension and plenty of zombie action setpieces for fans of the genre, building to an effective action-packed climax.

We see the group take on the resurrected citizens (in convincing make-up, it has to be said) using swords and bullets, with the help of a religious zealot who is as good with guns as he is with with Biblical quotations.

Foree carries the film well, as does Roso in the role of the charismatic convict who proves more than useful when flesh-eating nightmares are on the march. Klebe seems a little wooden at first but grows into the role.

As always in these types of horror films, characters often seem to act in absurd ways so that they become vulnerable to whatever menace is at the core of the story. Nonetheless, fans of the zombie genre, and of B-movie horror in general, will no doubt enjoy this release.

Extras on the DVD are: The Making of Apocalypse of The Dead and the trailer. Certificate 18, running time 89 minutes.

APOCALYPSE OF THE DEAD

(A.k.a. ZONE OF THE DEAD; ZONA MRTVIH)

"This city is a living Hell" ...

The film begins in a Yugoslavian research centre in 1985, where scientists mull over the origins of exhumed corpses discovered on the site. This brief prologue ends with the lead doctor instructing his underling to store the bodies in a secret vault - and offers us a brief glimpse of why these cadavers are of such concern: they're not dead!

Then we cut to Pancevo, Serbia. It is the present day. A local train station has closed down its services for the evening to accommodate a covert military operation taking place in the area. The operation concerns a huge tanker with bio-hazardous warning signs on it's sides, guarded closely by men in protective masks.

Unfortunately an altercation between the station guard and a trio of drunken off-duty soldiers results in a bullet being shot through the tanker - causing a toxic green gas to seep out into the night air. Before long, everyone at the station has been transformed into fast-moving flesh-eaters. Everyone, that is, save for a terrified aged Professor (Steve Agnew).

In another district of Serbia known as Vrsac, we're introduced to agent Mina (Kristina Klebe) who has the arduous task of transferring a fist-happy criminal (Emilio Roso) from one state prison to another. As the hard-arsed prisoner is cuffed and led to the back of a waiting van, the nervous first-timer Mina carefully plans her route while waiting for her guide, Mortimer (Ken Foree).

We first meet Mortimer in his hotel room, preparing to face the world by taking a concoction of pills to help forget the wife he keeps a photograph of at his side. His assistant Belic (Miodrag Krstovic) calls round, and together they saunter out to meet Mina, her driver Petrovic (Zivko Grubor), assistant agent Bottin (Vahidin Prelic) and the prisoner. Mortimer chuckles to himself, remarking upon how easy this assignment is going to be...

Elsewhere an inmate escapes from a local asylum after witnessing a nun transform into a rabid zombie; the country's President (Nenad Ciric) has problems of his own when he realises a certain level of culpability for the unfolding zombie epidemic rests at his feet; a young couple out driving for the night encounter some folk shuffling oddly in the night.

It's not long before this disparate assortment of characters are drawn together for a very long night of fighting for their lives against increasingly large hordes of the living dead.

Can Mina and Mortimer make it to the other side of Serbia unscathed? Will they be forced to trust their prisoner and join forces with him in order to survive the night?

From the film's UK title, the DVD cover art, the synopsis and the inclusion of Foree in the lead role, it's not difficult to guess where co-directors Milan Konjevic and Milan Todorovic have drawn their inspiration from. Furthermore, having characters that go by names shared by luminaries of the horror genre (Bottin; Savini) is a tell-tale fanboy trait that was used to equally cringe-inducing effect back in 1985's THE DEAD NEXT DOOR.

APOCALYPSE is indeed a shameless homage/rip-off of Romero's living dead films (with a little bit of RESIDENT EVIL thrown in for good measure), offering hardly anything in the way of originality to speak of. But the Serbian filmmakers have compensated for the weak story and unabashed convention-adhering, by turning in a breathless zombie-actioner with a breakneck pace and startlingly high body count.

The film's shortcomings are familiar ones: beyond the contrived and familiar storyline, you'll find terrible dialogue spoken largely in broken English by a cast of Serbian actors. Foree gets to holler laughable clich�s like "Die you zombie bastard!", but does so with his usual gusto and at the very least looks like he's having fun during his paid holiday.

Characters are two-dimensional and further add to the sense of d�j� vu that permeates throughout the film. A tough veteran cop with a troubled family background, trying to make it through his last day of work before retiring? Check. The female rookie who learns the hard way how to become a nails-hard heroine? Check. You get the idea.

Also, the shaky hand-held camera work (a nod to Romero again, pointing at DIARY OF THE DEAD perhaps?) is simply tiresome now. I'm sure I'll develop cataracts sitting through the dozens of 21st Century horror films that employ this annoying (and quickly-becoming-dated) technique. Inevitably the film recalls DIARY on a visual level because of this, as well as perhaps [REC]. But it's possibly even more influenced by modern computer games than anything else once it escalates into little more than a shoot-em-up in the latter half.

On the plus side, the pace is brisk as previously suggested. Foree could sell shit on TV and I'd buy it; he doesn't disappoint here.

The gore FX of Miroslav Lakobrija are plentiful, and for the most part are pretty good. I also like his zombie make-up. It's primitive, but effective in illustrating the undead as ugly decaying monsters. None of those "blue paint" DAWN zombies here ...

Dramatically, the film keeps a dark tone and builds steadily to a violent climax. In other words, it ticks the boxes that most unrepentant zombie hounds will be looking for. This is hardly surprising, seeing as though esteemed Italian genre critic Loris Curci had a hand in co-producing the film.

And so, APOCALYPSE OF THE DEAD stands as a flawed but fun cheapo proffering; it's Serbia's first zombie film, and despite my misgivings it's not all that bad.

APOCALYPSE is presented uncut in it's original 1.85:1 ratio, enhanced for 16x9 TV sets. The colour schemes employed in the film are somewhat washed out, and the transfer stays true to this. A dull veneer doesn't stop images being clean and relatively sharp though, with only the occasional murkiness and image-blur that you'd expect from a shot-on-digital production.

English audio comes in two options: 2.0 and 5.1. The latter is a surprisingly competent mix, allowing for fine balance between channels and a nice amount of bass during the meatier set-piece scenes.

A colourful animated main menu page leads into a scene-selection menu providing access to the film via 12 chapters.

There are no film-related extras on Metrodome's disc.

The disc is defaulted to open with trailers for THE HOUSE OF THE DEVIL, MANHUNT and Wes Craven's original THE LAST HOUSE ON THE LEFT.

APOCALYPSE OF THE DEAD is a so-so addition to the 21st Century zombie onslaught, making an impression by way of some high-octane action sequences and an agreeable amount of undead gore.

The broken accents make it sound like you're watching a video game and the script is so hackneyed that at times this feels like a pastiche. But it's a commendably serious-natured horror whose greatest flaw is it's own naivety.

Worth a look.

Review by Stuart Willis

Ove kritike su sasvim korektne...

a Stjuart Vilis kaže:



šta je istina?

ne znam. izgleda da varira.

Još jedan rivju, ovoga puta negativniji, ali sa glorifikacijom vizuelnog segemnta filma:::

Apocalypse of the Dead (Review)
My Reviewer -Curtis Owen

http://www.myreviewer.com/default/a1259 ... ead_Review

Any film that uses the esteemed ‘…of the Dead’ to identify itself must adhere to a certain set of rules laid down by the Godfather of Gore. They include a well-developed plot, authentic dialogue, decent acting, gore splattered visuals, a sharp subtext, downbeat humour, kinetic editing and an eye for the zombie mythology that fans hold dear to their rotting hearts. What does Apocalypse of the Dead contain that makes it any different from the horde of other zombie movies?

‘Zilch’, ‘diddly squat’, ‘nothing’, ‘zero’. It’s your bog-standard exploitative zombie-fest in the same shrivelled up vein as The Zombie Diaries, Flight of the Living Dead, House of the Dead, Resident Evil, Zombie Strippers and the rotting crowd of remake rip-offs like Dawn of the Dead (2004), Night of the Living Dead 3D (2006) and Day of the Dead (2008). I don’t want to exhaust your sophisticated tastes by making this list any longer than it needs to be. That wouldn’t be fair. Then again, maybe I’m not being fair by being a pretentious, stuck up my own arse zombie snob. Don’t let me taint your judgement. You might enjoy these movies for what they are. Like you might enjoy Apocalypse of the Dead for what it is: a thoughtless zombie feast with kick-ass visuals.

I on the other hand like my zombie movies with a bit of substance - like drinking a bottle of whiskey. If you drink that cheap imitation stuff, it aint gonna give you the same kick as the expensive ****. Whiskey should be smooth and make you feel woozy like a baseball bat to the head. Only a few zombie movies have achieved this baseball effect, they are the groundbreaking and downbeat Night of the Living Dead (1968), the vigorous and pleasurable Dawn of the Dead (1978), the bleak and hopeless Day of the Dead (1985) and the action orientated Land of the Dead (2005).

When you look at the big picture, one thing becomes clear: nobody does zombies like the Don of the Dead. Why settle for a pale imitation when you can experience the real deal? That’s why my anger reaches boiling point when it comes to stylistic movies like Apocalypse of the Dead. They are inadequate, redundant and they have no meaning. They have no mood beyond their visual sparkle. They have no passion - no personality. The characterisation is ****. The dialogue always comes across as wooden and they lack the most important ingredient to any self-respected zombie flick: subtext.

I’m afraid to explore the cogs and bolts of Apocalypse of the Dead because I’ll develop a taste for the way it looks. I can’t help it. Everybody likes a cheap bottle of whiskey now and again (even us pretentious zombie folk need it to appreciate the good ****). For one, it stars the legendary Ken Foree (who was in Romero’s Dawn of the Dead). He plays Agent Mortimer Reyes, a zombie hunter of sorts who oozes with personality. Foree is a decent actor who knows how to convey emotion, keep us entertained and he has the eyes of a thespian (they always have something lurking behind them).

Fans of Foree will remember his performances in Nickelodeon’s Kenan & Kel. He also appeared as one-off characters in LOADS of TV series including The A-Team, Knight Rider, Quantum Leap, Cheers, Babylon 5 and The X-Files. His movie credits include Leatherface: Texas Chainsaw Massacre III (1990), Black Santa’s Revenge (2007) and Rob Zombie’s The Haunted World of El Superbeasto (2009). Foree is the ‘only’ redeeming quality of Apocalypse of the Dead, without him the film would fall firmly on its arse. There is no denying the visuals are beautiful but visuals are NEVER enough. You can see why the filmmakers of this travesty decided to attach themselves to such a legendary actor. It gives them the quality they so desperately need.

Special Features: None.

Verdict: Apocalypse of the Dead is a prime example of a corpse wedged in its own grave. It looks good but it’s redundant. When you can play zombie computer games like Left 4 Dead 2 what’s the point of watching middle-of the-road zombie movies except to marvel at their Romeroeque visuals?

Još dva DVD covera: japanski i francuski:::

Dodeljene su FANTASY HORROR AWARD. Žiri kome je presedavao Ruggero Deodato doneo je sledeće odluke:

Best horror film - Rec 2
Best fantasy film - Valhalla Rising
Best low budget - Paris by Night of the Living Dead
Best screenplay - Shadow
Best sound track - Giallo, Mark Werba
Best interpretation “new talent” - Kristina Klebe, Zone of the Dead
Best fantasy and horror novel - Ho Freddo-Giancarlo Manfredi
Best fantasy and horror comics - Hack and Slash - Tim Seeley
Best serial tv - Dead Set
Best short film or pilot - Fairy-Christian Bisceglia/ Ascanio Malgarini- pilot
Best publishing initiative - Cornelio-Carlo Lucarelli (Star Comics) FUMETTO
Best website - http://www.horror.it
Best magazine - Sci-fi Now (GB)
Best interpretation “career” - Robert Englund
Career award - Brian Yuzna
Special Award - Dan O’Bannon

Nakon izdanja u Japanu, Velikoj Britaniji i Francuskoj, domaći film ZONA MRTVIH konačno će se naći u prodaji i u Srbiji!

Rediteljska UNCUT verzija prvog srpskog zombi filma biće u prodaji od 12. maja na svim kioscima, u hipermarketima, kao i u specijalizovanim prodavnicama (Videopolis, City Records, Big Bang...).

DVD izdanje za Srbiju sadrži UNCUT verziju filma u 16:9 formatu, sa Dolby 5.1 zvukom.

Na ovom izdanju nalazi se i više od sat vremena dodatnih materijala: Film o filmu (koji sadrži i intervjue sa zvezdama filma Kenom Forijem i Kristinom Klib, snimke sa snimanja itd.), Bioskopski trejler (sa novom muzikom), muzički spot pesme Porno karaoke, Fabriku zombija (autora Miroslava Lakobrije, o pravljenju zombi maski i specijalnih efekata), 5 TV spotova, kao i dokumentarni film "2 dana u Zoni mrtvih" (u proizvodnji čuvenog hrvatskog internet sajta Žuti Titl).

Ovo DVD izdanje biće u prodaji i u Makedoniji, Bosni i Harcegovini i Crnoj Gori.

Učešće na preko 20 domaćih i stranih festivala! Nominacija za najbolji horor film (Fantasy Horror Award)! Najbolja uloga - Kristina Klebe (Fantasy Horror Award)! Počasni Car Konstantin - Ken Foree (Filmski susreti, Niš)!

Za ZONU MRTVIH rekli su:
"Početak novog doba u srpskoj kinematografiji!" - HorrorTalk.com
"Pravi zombi film koji bi oduševio i samog Romera!" - Festival Sitges

Konačna borba između živih i mrtvih počinje ovde! Ne propustite priliku da dopunite svoju DVD kolekciju sa rediteljskom verzijom prvog srpskog zombi filma!

ZONA MRTVIH - DVD u prodaji od 14. maja.

DVD izdanje za Srbiju, Makedoniju, Bosnu i Hercegovinu i Crnu Goru sadrži:
- rediteljsku verziju filma (101 min), 5.1 Dolby zvuk i 16:9 format slike;
- film o filmu (32 min);
- bioskopski trejler;
- muzički spot - Vibrator u rikverc: Porno karaoke
- 5 TV spotova
- "Fabriku zombija" autora Miroslava Lakobrije;
- "2 Dana u Zoni mrtvih" dokumentarni film u produkciji Žutog Titla.

titlovi: srpski, makedonski, engleski

U prodaji na svim kioscima, hipermarketima, pumpama i specijalizovanim prodavnicama (Videopolis, Big Bang, City Records...)

Ne propustite priliku da dopunite svoju DVD kolekciju prvim srpskim zombi filmom!

Distribucija: TUCK VIDEO

UXB is currently has two horror projects - The Maddening and Suicide Solution.

Jinga Films is setting up a new genre label UXB (Unexploded Bomb). The move comes as UK-based sales company branches out into more international projects, including romantic comedies such as Jac Schaeffer’s Timer.

UXB’s first project will be action horror The Maddening about an American rock band, who are stranded in Serbia during an outbreak of mass hysteria caused by a biological weapons leak.

Craig Fairbrass (pictured) has joined the project to play a former SAS soldier who comes to their rescue. The Maddening will be produced by Julian Richards and Nikola Pantelic with Milan Todorovic directing.

It is also working on psychological horror Suicide Solution about a father and daughter who embark on a murder spree in Austin, Texas. It will be produced by Bob Portal and directed by Julian Richards.

Inače, The Maddening bi trebalo da režiraju oba Milana. U gornjoj vesti nisu pomenuli Konjevića. Shame on them.

„Zona mrtvih“ u Americi

Domaći horor film „Zona mrtvih“ postao je dostupan publici u SAD i Kanadi preko kablovskih kanala i mobilnih mreža. Ovo filmsko ostvarenje na engleskom jeziku sa mešovitom američko-srpskom glumačkom ekipom, biće prikazano i na brojnim svetskim festivalima horora.

Horor zombi film „Zona mrtvih", pod novim naslovom „2012: Apokalipsa mrtvih", od 1. oktobra nalazi se u redovnoj distribuciji putem „Video on demand" kablovskih kanala i mobilnih mreža u SAD-u i Kanadi, saopštio je distributer „Tak".

Kako se navodi, očekuje se da će uskoro u SAD i Kanadi početi i DVD distribucija filma na engleskom jeziku sa mešovitom američko-srpskom glumačkom ekipom, koji su režirali Milan Todorović i Milan Konjević.

„Tak" je najavio da je „Zona mrtvih", sa Kenom Forijem, Kristinom Klib i Vukotom Brajovićem, ušla u selekciju petog Festivala horora i naučne fantastike „Montevideo fantastiko" u glavnom gradu Urugvaja od 12. do 17. oktobra.

Horor čija je radnja smeštena u Pančevo, biće prikazan i na Festivalu nezavisnog savremenog filma horora i fantastike „Bloody XMASS", u Pragu od 27. do 31. oktobra.



„Zona mrtvih" ide i na najveći žanrovski festival u Africi „Hororfest", koji se održava u Kejptaunu u Južnoj Africi od 27. oktobra do 5. novembra.

Kako je Konjević svojevremeno izjavio, „Zona mrtvih" po stilu pripada filmovima iz osamdesetih godina 20. veka, kakvi su horori kultnih autora Džordža Romera i Džona Karpentera.

Prvi srpski zombi film "Zona mrtvih", u režiji Milana Todorovića i Milana Konjevića, osvojio je dve nagrade na festivalu Hororfestu u Južnoj Africi.

Film ''Zona mrtvih'' bio je prikazan u takmičarskom programu najvećeg žanrovskog festivala u Africi - Hororfest-a, koji se održava već šest godina u Kejptaunu. Film je osvojio dve nagrade i to za najbolju mušku ulogu - Ken Fori i najbolju žensku ulogu - Kristina Klib.

Za svoju ulogu u filmu ''Zona mrtvih'' Ken Fori je već dobio „Počasnog Cara Konstantina" za izuzetno glumačko ostvarenje na prošlogodišnjim Filmskim susretima u Nišu, dok je Kristina Klib osvojila nagradu na Fantasy horror award manifestaciji održanoj u Italiji u martu ove godine.

Inače, zbog odličnih reakcija publike na festivalu, Hororfest planira da otkupi prava za distribuciju ''Zona mrtvih'' na dvd-u na teritoriji Južne Afrike, što je praksa sa najboljim filmovima prikazanim na festivalu. Takođe, od 2. decembra ''Zona mrtvih'' biće dostupna i u Nemačkoj, na dvd i blu-ray izdanju, pod nazivom Apokalipsa živih mrtvaca.

Film se do sada našao u distribuciji u Japanu, Velikoj Britaniji, Irskoj, Francuskoj, SAD-u, Kanadi, Srbiji, Crnoj Gori i Makedoniji, a otkupljena su prava i za Indoneziju, Rusiju, Bliski Istok, Italiju i Španiju, te se uskoro očekuje distribucija i u ovim zemljama.

http://yc.rs/sr/magazine/vesti/filmovi/ ... otingStart

Zona Mrtvih u 3D formatu

Srpski film “Zona mrtvih” Milana Konjevića i Milana Todorovića posle velikog uspeha na festivalima širom sveta uskoro će započeti svoj drugi bioskopski život u 3D formatu, saopštio je srpski distributer Tuck.

Konverzija filma u 3D izvršena je zahvaljujuci saradnji PFI Studios sa kompanijom 3DLENZ i ruskim HIVE Studio-m iz Moskve, nakon što je potpisan ugovor o međusobnoj saradnji koja se odnosi kako na snimanje filmova u 3D formatu, tako i na konverziju postojećih filmova u novu tehnologiju. U okviru pomenute saradnje, “Zona mrtvih” je prvi domaći film koji će doživeti i svoje 3D izdanje i biti distribuiran na teritoriji Rusije u ovom formatu.

3D trejler za film “ZonaMrtvih” već je urađen, i biće premijerno prikazan u bioskopskoj sali Tuckwood-a u petak, 14.10. 2011. u 14h.

“Zona mrtvih” je nastala u koprodukciji kuća: Talking Wolf Productions (Srbija), PFI Studios (Srbija), Viktorija Film (Srbija), Trees Pictures (Italija), ABS Production (Spanija), reditelji su Milan Konjević & Milan Todorović a glavne uloge tumače Ken Foree, Kristina Klebe, Emilio Roso.

Film je do sada učestvovao na više od 30 festivala, osvojio nekoliko nagrada i bio nominovan za "najbolji horor film" na manifestaciji FANTASY HORROR AWARD 2010 (Italija)

Nagrade:

“Car Konstantin za izuzetno glumačko ostvarenje” – Ken Foree (Filmski susreti Niš 2009, Srbija)
“Best Interpretation – New Talent” – Kristina Klebe (Fantasy Horror Award 2010, Italija)
“Best Male Lead” – Ken Foree (Horrorfest 2010, Južna Afrika)
“Best Female Lead” – Kristina Klebe (Horrorfest 2010, Južna Afrika)
“Najbolji producent” – Milan Todorović (Producentski dan 2009, Srbija)
“Najbolji glumac producent” – Vukota Brajović (Filmski susreti Niš 2009, Srbija)
"Best Effects" - Miroslav Lakobrija (Full Moon 2011, SAD)

http://www.b92.net/kultura/vesti.php?na ... _id=549239

Za večeras (nedelju, 15. april) je zakazana TV premijera filma Zona mrtvih Milana Konjevića i Milana Todorovića. Zona mrtvih će biti prikazana večeras od 23 časa na TV Avala, a prva repriza je planirana već za rane jutarnje sate narednog dana (od 04:30) na istom kanalu.

Nisam znao da na Filmskim susretima u Nisu postoji nagrada "najbolji glumac producent". Verovatno je i to jedna od Savicevih izmisljotina koja ce ostati upamcena kao legendarna glupost.