Abstracts
- SERBIAN HORROR FILM BETWEEN METAPHOR AND REALITY by Dejan Ognjanović
- SERBIAN CRIME FILMS – MURDER COMMITTED IN A SLY AND CRUEL MANNER AND WITH LOW MOTIVES (1969) BY ŽIKA MITROVIĆ by Đorđe Bajić
- ‘IT’S ALL QUIET, DEAR, NOBODY’S A QUEER’: QUEER MOTIFS IN SERBIAN CINEMA by Olga Dimitrijević
- JOVAN RANČIĆ – A LONE WOLF OF SERBIAN CHILDREN'S FILM by Kristina Đuković
- DOSSIER: SECRET SERVICE IN SERBIAN CINEMA by Dimitrije Vojnov
- BALLAD OF A CRUEL ONE (1971) AS A FILM OF VENGEANCE by Miloš Cvetković
- A CENSORED DEBUT, OR: ONCE UPON A TIME IN (SOCIALIST) SERBIA - THE RETURN (1966) BY ŽIVOJIN PAVLOVIĆ by Dejan Dabić
- NEVER SUBMISSIVE: MARBLE ASS (1994) BY ŽELIMIR ŽILNIK by Zoran Janković
- BROKEN SPEARS - COMPARATIVE ANALYSIS OF A MIRACLE (1971) BY ĐORĐE KADIJEVIĆ AND FALCON (1981) BY VATROSLAV MIMICA by Aleksandar Novaković
- PUNK BEFORE PUNK: YOUNG AND HEALTHY AS A ROSE (1971) BY JOVAN JOVANOVIC by Uroš Smiljanić
- MAPS OF APOCALYPSE: GASP! (1975) BY VLATKO GILIĆ IN THE LIGHT OF TODAY'S EXPERIENCE by Srđan Vučinić
- KOKAN RAKONJAC: PARABLES OF THE WALLED IN (1969) by Miloš Đurđević
- ABSURD OF DIVISIONS, VICTORY AND FREEDOM: MAN FROM THE OAK FOREST (1964) AND THE TOUGH ONES (1968) BY MIĆA POPOVIĆ by Marko Krstić
- FOUR DIMENSIONS OF FESTIVITY (1967) BY ĐORĐE KADIJEVIĆ by Dejan Ognjanović
- REBELLIOUS, REJECTED AND BROKEN DOWN: DEFEAT OF THE INTELLECTUAL IN THE FILMS OF MILOŠ RADIVOJEVIĆ by Ivan Velisavljević
2007 Novi kadrovi, supported by Open Society Institute New York, and Swiss Cultural Programme Pro Helvetia Beograd, website by Luka Cinc