Abstracts
- SERBIAN HORROR FILM BETWEEN METAPHOR AND REALITY by Dejan Ognjanović
- SERBIAN CRIME FILMS – MURDER COMMITTED IN A SLY AND CRUEL MANNER AND WITH LOW MOTIVES (1969) BY ŽIKA MITROVIĆ by Đorđe Bajić
- ‘IT’S ALL QUIET, DEAR, NOBODY’S A QUEER’: QUEER MOTIFS IN SERBIAN CINEMA by Olga Dimitrijević
- JOVAN RANČIĆ – A LONE WOLF OF SERBIAN CHILDREN'S FILM by Kristina Đuković
- DOSSIER: SECRET SERVICE IN SERBIAN CINEMA by Dimitrije Vojnov
- BALLAD OF A CRUEL ONE (1971) AS A FILM OF VENGEANCE by Miloš Cvetković
- A CENSORED DEBUT, OR: ONCE UPON A TIME IN (SOCIALIST) SERBIA - THE RETURN (1966) BY ŽIVOJIN PAVLOVIĆ by Dejan Dabić
- NEVER SUBMISSIVE: MARBLE ASS (1994) BY ŽELIMIR ŽILNIK by Zoran Janković
- BROKEN SPEARS - COMPARATIVE ANALYSIS OF A MIRACLE (1971) BY ĐORĐE KADIJEVIĆ AND FALCON (1981) BY VATROSLAV MIMICA by Aleksandar Novaković
- PUNK BEFORE PUNK: YOUNG AND HEALTHY AS A ROSE (1971) BY JOVAN JOVANOVIC by Uroš Smiljanić
- MAPS OF APOCALYPSE: GASP! (1975) BY VLATKO GILIĆ IN THE LIGHT OF TODAY'S EXPERIENCE by Srđan Vučinić
- KOKAN RAKONJAC: PARABLES OF THE WALLED IN (1969) by Miloš Đurđević
- ABSURD OF DIVISIONS, VICTORY AND FREEDOM: MAN FROM THE OAK FOREST (1964) AND THE TOUGH ONES (1968) BY MIĆA POPOVIĆ by Marko Krstić
- FOUR DIMENSIONS OF FESTIVITY (1967) BY ĐORĐE KADIJEVIĆ by Dejan Ognjanović
- REBELLIOUS, REJECTED AND BROKEN DOWN: DEFEAT OF THE INTELLECTUAL IN THE FILMS OF MILOŠ RADIVOJEVIĆ by Ivan Velisavljević
2007 - 2012 Novi kadrovi, supported by Open Society Institute New York, and SCP Pro Helvetia Beograd, website by Breve